Tuesday, April 17, 2018

Tweetstorm 4-17-2018

Okay, time to cut the onions, as the French say. I need a thousand men. Men, not adolescents of all ages who have never quite grown up and who never will, not entirely.

Class A's. Committed, serious adults who are capable of idealism, self-discipline, self-sacrifice, and focusing on something important for longer than fifteen minutes.

That's not you, at least not most of you. I get that, and I'm not angry. You can't help it. You were socially engineered the way you are from birth, and it's not your fault. But that doesn't solve my problem. I still need those thousand Class A's.

The only tool I have currently available to me to reach those thousand men is the internet. Later on, when the 1000 get here, get organized, and get active, that can change. But for now, this is it.

I've got 1700 followers here on Twitter, 1000 on Gab, between 3000 and 4000 listeners per week to Radio Free Northwest, and miscellaneous others here and there.

Many of them are overlap. Many are bots, police spies, left-loon spies, undercover media, and looky-loos. Of the remainder, many of you are basically sincere but completely useless in any practical sense. Again, I'm not mad, just realistic. I can't afford to be anything else.

And yet somehow, I have to find one thousand of you who can and will change the world if you want to do so, and then convince you to do it.

 If you ever wonder what the hell I'm doing here, what I'm on about all the time, and why. ... well, that's what, and why.

Sunday, April 15, 2018

Radio Free Northwest - April 19th, 2018


HAC on religion, triple Trucker, Gretchen, and a special Fuhrer’s birthday piece.

Thursday, April 12, 2018

Ice Age Columbus

For those of you who are into the Solutrean thing, the distinct historical possibility that White people were on the North American continent before the Asiatic Indians, the best video presentation of that idea has always been the Discovery Channel documentary Ice Age Columbus.

This flick was produced about ten years ago, and the movie seems to have vanished from circulation for some reason. (Gee, I wonder why?) This was around the same time the truth about Kennewick Man was being suppressed by the liberal academic establishment, in cahoots with the U. S. Army Corps of Engineers. The movie is now almost unavailable; Discovery no longer sells or lists it. DVD copies on e-bay fetch staggering sums. I have one of the last ones from Discovery itself before the DVDs disappeared from circulation, the prize of my collection.

One of our guys found this flick uploaded to YouTube. Suggest you watch and enjoy while it's still up, and if you have the software and the skills to download a YouTube video on your own computer, snag yourself a copy.

Monday, April 09, 2018

Radio Free Northwest - April 12th, 2018


Harold’s poking the bear again.

Thursday, April 05, 2018

The Truth About the SPLC and ADL

by Bill White

I was listening to the radio the other day when I heard a commentator note that the Southern Poverty Law Center was claiming that there had been an “increase in neo-Nazi groups” during the Trump presidency. 

One of the refreshing things about the Trump presidency is that the importance of the Southern Poverty Law Center and its twin, the Anti-Defamation League of B’nai Brith, have substantially decreased, and the number of citations of their nonsense on the airwaves has dropped to almost undetectable levels.  But I don’t believe anyone has ever really exposed what a security-service driven scam these two organizations represent.

The Southern Poverty Law Center is a group that was founded by Jewish homosexuals and is staffed almost entirely by homosexual persons of various ethnic backgrounds.  The Anti-Defamation League of B’nai B’rith is a branch of the Jewish Masonic group B’nai Brith, that was established by the Jewish mafia in New York in the early part of the 20th century as an extortion scam directed against Jewish communities. Essentially, the ADL taught that Jewish communities needed protection from wicked anti-Semites, and was set up as the respectable face of that protection racket. Both groups are fake.

For decades, the two groups have prospered primarily because of their relationship with the American security services. For those who don’t know the extent to which the intelligence services dominate this country, you should pick up the FBI guidelines on the recruitment and use, of so-called high-value informants, where the FBI explicitly discusses its program of recruiting news reporters, attorneys, people in influential cultural positions and the like to work for its aims.  

Then after reading that, turn on CNN and listen to the number of people who are introduced as being former U.S. Attorneys, FBI agents and analysts, CIA operatives, and the like.  Even among those who are not introduced as such, the vast majority are these kinds of assets. The same backgrounds are found among the political parties and among most of the major business leaders in this country. The security services are the guardians of the country’s élite and have their hands in directing all aspects of the country’s governance.

About three generations ago, the security services decided to destroy this country’s White population in a massive act of genocide. They began by taking control of Communist movements and using them to orchestrate the Civil Rights Error, and proceeded from that Error first into the disempowerment of non-Judaic, non-initiated White people from business and government, and then into the physical extermination of the White working class.  

This very real conspiracy is often portrayed as Jewish, and the label is apt, but, it is not Jewish organizations per se that orchestrate, originate, and control it, nor is it derived from Jews as a race. Those people not born into Judaism but who participate in this conspiracy through their devotion to the same evil god under other names, may also be considered Jewish.  

But the Jewish race conspiracy that is discussed so much among “White supremacists” is only one face of this broader effort to exterminate all White people. Control of this effort in the United States lies more in the upper ranks of the intelligence community than in the leadership of groups that identify as Jewish per se.

Understanding this and understanding, as I have previously shown, that the White nationalist movement in the United States is both heavily infiltrated and largely controlled by the security services, the farce of the anti-hate movement becomes clear.  Most of what the Southern Poverty Law Center and Anti-Defamation League track in terms of hate groups are not real organizations at all but puppets created by the security services, whom the security services arrange for anti-hate groups to denounce in order to legitimize those groups as being part of the government’s phony hate movement.  

Thus, when someone says that “neo-Nazi groups are on the rise,” all they are saying is that the FBI is paying more informants to set up post office boxes and Twitter accounts affiliated with FBI-controlled quasi-WN groups, or that the FBI is putting more resources into financing such activity.  No actual statement is being made about the state of society.

Perpetuating this phony hate movement is profitable for all concerned.  The Southern Poverty Law Center and Anti-Defamation League both profit directly from it by raising hundreds of millions of dollars to fight these phony organizations that their own masters control.  

The “anti-hate” movement is a fake face of the
Judæo-occult network that finds its core in the security services, and which extends its tentacles into all aspects of public life. Those who participate in this movement are as deluded as those who participate in hate groups. The entire spectacle of these groups fighting is an act, an act that is financed by the very security services paid to fight these imaginary enemies. And, the entire process is part of the alchemical control techologies that were brought into human societies by Judah millennia ago.

Tuesday, April 03, 2018

Radio Free Northwest - April 5th, 2018


HAC on revolting from the right; Gretchen and Andy, more HAC on trust and green monkeys.

Thursday, March 29, 2018

HAC On Writing

[From NF Bulletin #15, April 2018]

Tell you what: this month let’s take a (probably welcome) break from my usual six-page rant telling you guys to pull your socks up and help me professionalize the Party. Let’s talk about writing.

I hear from people who have just finished their last book of the Northwest independence novel series, complaining because there is no more. Well, actually, there is, sort of. Insofar as I am remembered at all, it will probably be for those five novels, but you guys do know there are other Covington books, right?

I’ve written eleven other novels, including one under a pseudonym, and one long political and racial polemic called The March Up Country, as well as an anthology of my best articles which I call Dreaming the Iron Dream. They are all available on Amazon.com. My fiction ranges from historicals to murder mysteries to ghost and vampire stories, but the closest to the Northwest novels for Movement people would be two books I wrote during the 1990s, called Fire and Rain and Slow Coming Dark. 

                                 Enter Matt And Heather 

These are the two Matt and Heather Redmond novels, both of them detective and/or thriller type books, but with strong White nationalist undercurrents. Both of these books were written many years ago, in 1996 and 2000 respectively, before I went totally Northwest, but you can kind of see me building up to it. I tend to hang on to my characters once I create them, and some of you may recall that Matt and Heather, their daughter Tori, and the character of Bill Clinton’s illegitimate son Bill Vitale, made a few cameo appearances and had some offstage references in the Northwest novels as well. 

Now, these two books aren’t anywhere nearly as racial as the Northwest novels, not by a long shot, but they certainly do have very strong racial and political connotations. In Fire and Rain I take my shot at the wonderful left-wing mythos of the Sixties and the anti-Vietnam War movement, and in Slow Coming Dark I take on the Clintons in their original 1990s version 1.0.  However, there is something you guys need to know about the first book, Fire and Rain. I mention this because the subject has come up on occasion, and down through the years some of our comrades have gotten kind of upset by some of the things they’ve read in there. Every time I myself send out a copy of that novel, I include with it a sheet of paper, which contains the following caveat and disclaimer:

“Racial Comrades: I am enclosing a copy of my novel Fire and Rain. I hope you find it an entertaining and enjoyable read. However, before you begin the book, I’d like a quick word. 

Fire and Rain was written with the intention of submitting it for publication through the existing publishing establishment, which consists for all practical purposes entirely of Jews, feminists, and the six or seven multi-national corporations who control the industry. The manuscript would have had to pass muster first by a literary agent who, whatever his personal political views, knows full well what the industry will publish and what it will not.

“Secondly, it would have to pass through a succession of readers, mostly leftist women and homosexuals. Then it would have to be accepted by an editor, who would submit it to a board of other editors and market analysts, who would decide not only if the book was politically correct, but whether it would make any money. As you will see when you read it, the chance of Fire and Rain passing any such process of literary kashruth is slim indeed. 

But I was determined to try, and so I included in Fire and Rain a number of elements of political correctness that you, as a racial nationalist, will find disturbing and displeasing. I also deliberately included a couple of raunchy sex scenes. 

These are known in the publishing trade as “commercial dirt.” It is now virtually impossible to publish any work of fiction without them, and I had to include something of the kind were I to have any hope at all of getting the book past the politically correct gatekeepers of contemporary fiction, such as it is.

“Unlike its sequel Slow Coming Dark, Fire and Rain was not intended primarily for Movement readers. It was frankly an attempt to slip some political incorrectness past the system, and make some money while doing so. In fact, it failed. Fire and Rain was rejected out of hand by every literary agent I submitted it to, including one who had attempted to sell several of my other novels, and who sent the manuscript back with a note which read in part, ‘Harold, you know better than this. I like your work, but I’m not going to commit professional suicide for you.’

“Comrades, the racial and political message is there in Fire and Rain. Read between the lines, recognize my politically correct interpolations as the clearly intended camouflage which they are, and understand the deeper meaning of the novel. Despite its many imperfections, I think you will find it worthy of a place on your bookshelf.”

The specific areas of political correctness I put into the book, only in passing I might add, were lesbianism and race-mixing in the form of my protagonist having been briefly married to a Mexican in his past. I thought about this long and hard at the time, on how to include the bare minimum necessary of PC crap to slip through the litmus test, and as revolting as those two specific things are, I found they were the ones I could come closest to stomaching sufficiently to include them in the book. I didn’t like doing it, and those aspects still disturb me when I re-read Fire and Rain, but I’ve explained why they are in there, and they can’t be undone.

Rather than try and address this to the few among you who down through the years found the book disturbing, let me just say what I’ve got to say about it, and then you guys can read it for yourselves if you’re interested. If you don’t like it, if you think it indicates that I am in some way spiritually corrupted because I could write such things, that’s your opinion and I won’t try to argue with you. You may well be right. Like everyone else, I have lived all of my life in a cesspool swarming with all kinds of vile and filthy things, and it would be remarkable indeed if I was not at least somewhat contaminated by it all.

I have told you the reason why I wrote Fire and Rain the way I did, but let’s look beyond that a bit. In my historical novels, I try my best to write about the world the way it really was. In the Northwest independence novels, I write about the world the way it should be. In the two Matt and Heather books, I write about the world the way it is now. It’s not a pretty picture.

A writer is, or should be, primarily a storyteller. Whatever political or social commentary, or whatever point he’s trying to make, has to be secondary to the story itself and the characters, because if they’re not believable then his real point will be lost, or made so ineffectively that it won’t convince anyone who isn’t already convinced. If he does a slapdash, sloppy job he’s only preaching to the choir, and we do way too much of that as it is. He has to be able to construct his plots realistically, as events that might really happen, and he has to be able empathize with his characters enough to understand them and present them realistically, even if he doesn’t particularly like them. The complaint about my writing from a certain minority of Movement people, not Goat Dancers but people who have a genuine problem with some of it, is that I seem to empathize a bit too much with some characters and situations.

In all honesty, at this point I should admit that there are other areas of my fiction wherein I have been accused of writing about certain subjects with a little too much gusto and empathy. There is a smart-ass nigger sidekick in my Civil War murder mystery Bonnie Blue Murder, who is there for the very same reason; I had to have something to try and slide a Confederate detective hero past the PC filters. (That one didn’t work either, but I still stick one of those disclaimer sheets in the book every time I send one out.) I have been accused of being pro-Jewish, of all things, because of Whisper Her Name On The Wind. I’m damned if I can see how anybody could possibly draw that conclusion, but one risk of being a writer and publishing what you write is that other people are going to see things in your work that you didn’t put there and never intended.

Most readers, especially men, seem really to enjoy The Black Flame, my medieval murder mystery, but I’ve had a few accuse me of being some kind of secret sadist because of all the hangings and torture and cruelty in it. It’s kind of hard accurately to depict the fifteenth century without these things, but I can get their point, sort of.  Some people objected to the language used by my gangster characters in the second Matt and Heather novel, Slow Coming Dark. I researched that one by reading transcripts of the John Gotti wiretaps and bugged conversations in the Ravenite social club in Bensonhurst. What can I tell you? That’s the way wiseguys really talk. If I had my mobsters using expressions like “Oh, fudge!” it would have been a joke.

All I can say, again, is that these objectionable parts of my novels are there for a reason. They are the sweet candy coating on the outside that I hoped would fool Establishment literary agents and editors into swallowing the bitter pill of racial and political truth inside. Like I said, it never worked. Editors and literary agents aren’t fools, especially the multifarious Jews along every step of the way of that editorial and publication process I talked about just now. They obviously picked up on what I was doing. Then back around the year 2000, print-per-order publishing came along, and all of a sudden I recognized that I could actually write what I wanted and not have to worry about passing any political or racial litmus tests. From that moment on, I have never included one single item of PC in any of my fiction.

Beyond all this, I don’t know what to tell you. Whenever a writer publishes his work, there are going to be readers who don’t like it. All I can ask of you guys is to read the works in question, and if you think there is something in there that is just so horrible that it negates and cancels out my five Northwest books and the millions of words of non-fiction racial and political material I have written during the past fifty years, best of luck to you. I hope you find the standard of moral purity you’re looking for out there somewhere. I’m not too sanguine about your chances, though.­­­‪­‪­‪­­‪­­­‪­­­‪‪­‪‪­­‪‪‪­‪‪­­‪­‪­­­­­‪‪­­‪­­­